• Genre: Action | Adventure | Sci-Fi | Creature

• Other Acceptable Genre Elements: Vampire | Samurai | Action-Horror | SciFi-Creature

• Length of the Term: 10 years.

• All rights: Theatrical/TV/DVD

Theatrical release Capability for All of India:

• STUDIO FILM (Big Budget): in association/syndication (to start work 5 to 6 months in advance)

• (Medium budget): 50 to 100 screens (to Start work 3 months in advance)

• Indie Film (Big Budget): In association/syndication (Min 5 Months in advance)

• (Medium Budget): 50 to 80 screens (Min. 2/3 months in advance)

Territory: Indian Sub continent – includes (India, Afghanistan, Bangladesh, Bhutan, Maldives, Nepal, Pakistan, Sri Lanka, and Tibet.

The distributor pays for the delivery materials costs, but they require the following materials:

.Dpx files (4:2:2) (2K Resolution) with International 5.1 M&E (wav) for Digital Cinemas.

*** DI Inter negative on Loan for big Budget Films.***

HD CAM SR (1920×1080) (4:4:4) (10bit) is OK but prefer .Dpx. In India Digital Theatres Accept .dpx files on Hard Disk or D5

There will be an advance paid based on the production quality, genre and cast. 

Please email us back on the following e-mail address: india@cinesouq.com

and tell us the the following:

Title of your film:

The Genre:

Cast names:

Budget:

Delivery formats and materials you have at hand:

Thanks for your time and we will get back to you within 10 days.

Sincerely,

The Cinesouq Team

SPLIT IMAGE (2010)

Feature Film
United States
Romance, Comedy
cast : Vincent Pastore, Corinna May, Peter McRobbie
director : Dorothy Lyman

Synopsis: Manningtree New Jersey is a little town on the brink of extinction.

The 19th century storefronts of charming Old Town are being threatened with eminent domain by local officials and international developer, North Sea Assets.  Their plan—raze Old Town to make way for a garish mall/luxury condo complex.

There’s one obstacle however—the fiery Scottish-born local hairdresser, Lizzie Munro (Corinna May) whose salon lies in the direct path of the wrecking ball.

Facing off with an unscrupulous mayor (Vincent Pastore, The Sopranos), a smarmy Director of Planning (Peter McRobbie, Brokeback Mountain) and North Sea’s point man (Lawton Paseka) in the guise of a silver-tongued Romeo—can Lizzie evoke the spirit of her fellow countryman William Wallace, rout the invaders and stand her ground?  Can she ward off the march of progress? Will she lose her chance at true love?

Directed by two-time Emmy award winner Dorothy Lyman (Director, TV’s The Nanny), Split Ends is a charming, uplifting Frank Capra style film that embodies the tenacity of the human spirit and will of the people!

Kevorkian: Right to Exit, Doctor Death (2009)

Documentary (Completed, 52 min)
United States
Documentary, Kevorkian, Euthanasia, Right to Die, Assisted Suicide, Death

cast : Geoffrey Fieger , Mike Wallace , Jack Kevorkian
director : Anna Terean
producer : Anna Terean, Arthur Babayan
writer : Arthur Babayan
music : Yury Anisonyan
editor : Vahe Khachatryan
cinematography : Artyom Gazanchyan

Synopsis:

Jack Kevorkian died in a Detroit area hospital following a short illness on June 3, 2011 at the age of 83.

The first documentary produced about Dr. Jack Kevorkian since a Michigan court convicted him or a murder for helping a terminally ill patient end his life. A serious, well-researched study of the trial, the politics and euthanasia, featuring interviews with the attorneys, the prosecution and the witnesses. Includes an Interview with CBS investigative report Mike Wallace (60 minutes) and an exclusive phone interview with Dr. Kevorkian from his jail cell.

Dr. Kevorkian was released from jail in June 2007. He run for the US Congress in 2008 and lost his bid to Michigan’s 9th district. Additional footage available: Mike Wallace (CBS reporter, 10 min., 2003); Geoffrey Fieger (Dr. Kevorkian’s attorney for10 years, 45 min., 2000); David Gorcyca (Oakland County prosecutor, 30 min., 2000); Thomas Eggebeen (Presbyterian pastor, MI, 12 min., 2000) in addition to Letters from Supporters; J.K. Photographs; J.K. Exhibition at Armenian Museum in Watertown, MA .

Festivals: Pomegranate Film Festival, Toronto; Silver Lake Film Festival, Los Angeles; Golden Apricot Yerevan International Film Festival, Armenia

DVD Bonus Features (available at Amazon.com): A Call from Prison (Interview with Kevorkian); The Mike WallaceInterview; Defending Doctor Death (Attorney Geoffrey Fleger); The Letter of the Law (Prosecutor David Gorcyca); Thou Shall Not Kill (Pastor Thomas Eggebeen)

Click on the above image to watch the video…   or click HERE

Tony Kandah on creating Cinesouq The World’s Online Film Market, and how it empowers filmmakers to instantly start marketing their feature films or TV shows directly to buyers and broadcaster worldwide from their own computer.

Tony also talks about how he fell in love with film at the age of four.

We are looking for the following for our buyers on Cinesouq:

Eastern European Broadcaster: For this fall season, features (all kind of genres), and Miniseries, for the following territories:

Serbia, Bosnia, Croatia, Monte Negro – one feed Slovenia

Acquiring Basic Cable rights, preferably with Free TV, or at least a holdback against Free TV for a certain period of time. First run or Rerun, exclusivity or non-exclusivity.

Turkish Broadcaster and Distributor: Looking for Action & Creature feature films.

French Distributor: Looking for different genres VOD, TV, DVD.

More important notes:

First, if you have not done so already, please upload your film or TV show to Cinesouq, this is very important, because the buyers definitely want to screen the titles in their entirety before they engage you. We are offering you this valuable tool free for a limited time, so take advantage of it and if you utilize it now, your title will always be available to screen to buyers free for as long as you wish to keep it on Cinesouq.

Second, we have also activated all our sales tools for you to utilize, including distributors lists and the other resources in your account page, free as well.

Third, please update your available rights and territories for your film, just click on the Available Rights/Pricing in your film page and uncheck any sold territories and rights. Here you can add your ask and take prices per territory. Only the ask prices will be visible to buyers, the take prices will be for your reference only.

Please email us to let us know if the rights for the above territories are available for your film, and include the name of your film in the email. If you need help uploading your title let us know as well.

The entertainment industry threw its weight behind a proposed law that would give law enforcement officials and others new authority to move against Internet sites that traffic without permission in copyrighted material.

The bill was introduced last Thursday in the Senate, with bipartisan support from a group of sponsors that included Senator Patrick J. Leahy, Democrat ofVermont, and Senator Orrin G. Hatch, Republican of Utah.

Called the Protect IP Act, for intellectual property, the bill would take aim at foreign-owned sites that trade in pirated material by allowing American authorities to seek court orders directing domestic Internet service providers, search engines and others to stop doing business with them. It would give rights holders new power to act in court against pirates by using streamlined procedures to eliminate sites that have reappeared with different domain names or new owners after a violation.

The Motion Picture Association of America, which represents the major film companies, joined the National Association of Theater Owners and the Independent Film and Television Alliance last Thursday in supporting the proposed law.

“Movie theater operators are acutely aware of the increasingly harmful effects” of piracy, John Fithian, the president of the theater owners association, said in a statement. The statement was a signal that a generally strong alliance between the theater owners and the film studios remained intact, despite strains created by a recent move by some studios to release a handful of films through on-demand services only two months after their theatrical debut. Theater owners have criticized that plan as a threat to their business.

A number of entertainment unions, including the Directors Guild of America and the Screen Actors Guild, also expressed support for the bill.

ONLINE FILM SCREENERS

Upload your movies and TV shows for FREE… on Cinesouq for UNLIMITED screenings by distributors and broadcasters…

In addition, you get 10 screening tokens a month to invite, whomever you wish to screen your film.

Cinesouq allows you to market, promote and offer your film 24/7 to over 5000 distributors worldwide.

Filmmakers, production companies, sales agent, and producer’s reps send private online screeners to buyers and distributors worldwide, Distributors can instantly watch the screener, literally, with a click of a button, from your invitation, it’s streaming, fast and secure.

The Cinesouq Online Screeners and our sales tools are a powerful combination to help you succeed with your distribution efforts or finding a sales agent or a producer rep to handle your film.

In addition, Cinesouq markets all its members’ films and TV shows to distributors and broadcasters worldwide giving your title maximum exposure.

The best part about the screenings is that after the buyers have done screening your film they have the option to make an offer on your film for their respective territory right there and then.

INSTRUCTIONS:

If you are already a member and have your film on Cinesouq, just click on the upload screener link your film page and upload your film.

New members need to create an account and add a film to utilize the upload screener function.

Start Now

Email us for more info, and we will be glad to help you.

E-mail: info@cinesouq.com

Tel: (818) 734-7261

2 Dudes and a Dream (2010)

Feature Film (Completed, 83 min)

United States  Comedy

cast : Brian Drolet , Nicholas Irons, Christina DeRosa, Nikki Zeiring, Tanja Reichert, Nathan Bexton, James Duval, Jon Abrahams, Simon Rex, Andy Milonakis, Jason Mewes, Nic Nac, Julianna Guill
director : Nathan Bexton
producer : Cole Payne

Two aspiring starts (Brian Drolet, The Hills, and Nic Nac, American Pie: Beta House), one pursuing acting and the other an unlikely model, become best friends as they struggle together to break into Hollywood and make it to the bigtime. Their journey to the red carpet is less than simple and more than hilarious as they encounter a non-stop barrage of obstacles and whacked-out characters. Ultimately, success comes for those who persevere, even if the end result is not what they had planned. … 2 Dudes and a Dream is as visually compelling as it is sardonically hilarious. Ripe with parody and satire, the film taps into the spirit of independent cinema coupled with the rebellious and sometimes raunchier elements of major studio hits such as The Hangover and Pineapple Express. Saturated with pop culture and sophisticated comedic timing, the film presents an eclectic specturm of farcical wit and situational comedy. This is a terrific comedy that will constantly suprise the audience and always satisfy its viewers!

• HollyWire (on 02/14/09 )
  ” “It has potential to become a cult classic, like Napoleon Dynamite.” ”
  by Terra
• Buzzine (on 02/16/09 )
  ” “Sure to Be a Cult Classic” ”
  by Parimal M. Rohit

From 2004-08, there was a flood of new capital that poured into the film industry.

Most of this money came from institutional investors like hedge funds, private equity firms and investment banks.

The bulk of that money went to the studios, but when their coffers were full, it trickled down into the independent markets.

Hundreds of millions of dollars were invested into independent film funds like Grosvenor Park, Aramid, Oceana, Winchester, 120db, Newbridge, Barbarian and many more.

As competition for viable projects increased, lending practices decreased. Soon, finance plans were looking for films, instead of the other way around.

Some of those funds are still around, but most are not.

There were so many films financed during this boom time that the indie film market became saturated with product.

At the same time, the global credit crunch struck and many international buyers lost the lines of credit they used for acquiring films.

The product saturation created a bottleneck and the acquisition glut created a clog in that bottleneck that took two years and hundreds-of-millions-of-dollars in financial Drano to root-out.

The good news is that the crash of 2008 brought a halt to film production, which effectively turned off the product spigot, allowing the clog to slowly drain. This two-year production glut had the added benefit of eventually bringing talent fees (and overall budgets) back down to earth.

Fast forward to Sundance 2010, where the acquisition of 50 films marks the first indication of a freshly cleared distribution pipeline. Distribution slots were finally available to be filled, but due to the production glut, there hadn’t been enough films to fill them, so distributors went on a buying spree.

The lack of funding options also created an opportunity for new financiers and funds to enter the indie market, which in turn has created an uptick in the number of projects that are being financed.

New gap funds, equity funds, tax credit funds and banking divisions are popping up.

Some are new faces, but many are survivors from the previous storm, and they’ve comeback more sophisticated, and more conservative, then their predecessors.

The 30 percent – 40 percent super gap is gone. Lenders are taking fewer chances on foreign buyers (and discounting them accordingly); coverage ratios for gap loans are more conservative and restricted to primary territories.

All of this is placing more demand on equity, which in-turn is demanding more collateral coverage (like first position against the U.S. and tax credit overages.)

So this is the landscape most independent producers now find themselves in, and it’s important that they understand what most of these financiers have been through — especially if they want them to finance their movies.

For starters, each fund has a set of codified mandates that dictate what types of films they can invest in. These mandates can be based on budget size, genre, type of financing, minimum tax credits, etc.

So the investment criteria for a film fund might sound like: “We only do debt financing (no equity) for thrillers with budgets over $10 million, that shoot in states with incentives over 25 percent, and that have presold 30 percent of the budget (including two major territories).

Also, “no first-time directors and no animation.”

This may sound well thought-out (and I’m sure there’s a spreadsheet to back it up), but really it’s more of a reflection of the laundry list of promises the fund managers had to make in order to procure investments in their fund.

Nonetheless, it’s important that producers know to whom they’re speaking (and why) before they submit their projects for financing — otherwise, you’re wasting your time and theirs.

Understanding the funding criteria of the film finance community is Job No. 1 for producers.

Bringing together pre-sales, gap, tax credits, equity and bridge financiers is no small feet.

It’s time consuming, it’s expensive, it’s frustrating — it’s herding cats, which means, producers have to be prepared, professional, and willing to pay for services.

If producers want to be taken seriously by any financier, then they need to have a budget, a schedule and a finance plan, which means who you hire to create these documents is just as important as the information they contain.

You should also know what date you want to start production — people respond better to a ticking clock (ideally three to six months from now).

A producer need not know how to create all of these documents; they just need to show they can assemble the right people to put them together.

No talent relations? Fine, hire a casting director.

Also, nobody wants to hear that the script needs work.  Funds are not in the script development or talent attachment business — that’s the producer’s job.

The first thing an independent producer needs to ask before taking on a project is, “Is this worth investing $10,000 – $25,000 of my own money?”

At a bare minimum, that’s what it costs to get a script ready for primetime: budget, schedule, finance plan, incorporation, script option, casting director, investment package, cash-flow schedule, and sales estimates.

These are the tools of the trade and, therefore, the cost of doing business as an independent producer. Don’t skimp. You get what you pay for.

With those items in hand, you (the producer) will know everything there is to know about your project and will carry yourself accordingly. That is how you get financiers and funds to pay attention.

Aliens Invade Vegas (2010)

Feature Film (Completed, 83 min)

Science Fiction, Creature, Action Adventure

cast : Phil Valentine, Beverly Lynne, Michele Hailey, Tim Delaney
director : Michael Edward Ricks
writer : Michael Edward Ricks and Michele Hailey
music : Matthew Jason Walsh
editor : Michael Edward Ricks
cinematography : Michael Edward Ricks
director of photography : Michael Edward Ricks

Synopsis:

For scenes from the movie go to: www.AliensInvadeVegas.com

Honing in on the sinful city of Las Vegas, shape-shifting aliens move forward with their plan to crossbreed with human beings and save their species from extinction. But they don’t plan on interference from a hypnotherapist (Michele Hailey) and a mysterious local (Ryan Silverman). Co-writer Michael Ricks also directs this independent sci-fi thriller about human survival — and life beyond our comprehension.

YF-23 Black Widow 2 Declassified(2011)

TV (Completed, 50 min )

cast : Tom Rooney, Jim Sandburg, Paul Metz, Gary McNeal, Steve Smith, Bob Sandusky
director : Peter Facer
executive producer : Ed Ashley
producer : Todd Brown, Mark Morris, Peter Facer
writer : Peter Facer
music : Ric Zivic, michael Callaghan, Ted Wender
editor : Todd Bown
visual effects : Gary Laird
cinematography : Jim Wehrly
director of photography : mark morris

Of all the aircraft conceived and produced, none can match the engineers’ artistry of the YF-23 Black Widow II.  It was a fighter so advanced that it would play a key role in keeping the “Free World” free during the Cold War, by outclassing everything else in the sky.

Now it can be told…

…the TOP SECRET story behind the incredible supersonic stealth fighter designed by the Northrop & McDonnell Douglas team in the competition for the hundred billion dollar prize contract with the Air Force…

…and why the U.S. Government decided not to buy it!

Its all here…the science, the secrets, the heartaches and the triumphs, told by the test pilots, the engineers and the men who built it.  One of the most important stories in the history of aviation.

Mutant Swinger from Mars (2009)

Feature Film (Completed, 86 minutes)

Comedy, 50′s Sci-Fi Spoof

cast : Michael East, Jim Korloch, Pete LaDuke, Scott Dixon, Kongo, Michael Kallio, Mike Thompson, Jack White, Ronda Belcher, Bart Williams, Bob Young, Colleen Nash
director : Michael Kallio
executive producer : Michael Kallio, Catherine Kallio, Katherine F. Kallio
producer : Rolfe Bergsman, Linda Rosenfeld, George Lieber, Michael Kallio
writer : Michael Kallio
music : Gary Nester, Dan Kolton, The 3-D Invisibles
editor : Michael Kallio, Steve Julin
production designer : Rolfe Bergsman
visual effects : Ahptic Productions, Michael Kallio
make up : Jim Korloch
cinematography : George Lieber
costume designer : Scarlett Jade

Synopsis:

The Nutty Professor meets Young Frankenstein if told by Ed Wood!

A ‘long lost sci-fi film’ from the 50′s, finally, has been recovered! Aliens from Mars come to Earth and force a mad scientist to ‘create’ a ‘chick magnet’ to lure women so, they may take them to Mars because… MARS NEEDS WOMEN, of course! See infamous filmmaker, Orton’s Z. Creswel’s, “missing classic” for the first time. Can Rusty save Mitzy from the fiendish, Frankenstein-ish clutches of, Fez Fleckman, the hippest cat in town? Will martians kidnap all of Earth’s women and send them back to Mars? Can Fez keep his mutant identity hidden? Find out in MUTANT SWINGER FROM MARS!!!

Mutant Swinger from Mars is a 2009 Science fiction comedy film written, produced and directed by Michael Kallio. A cross between Young Frankenstein, The Nutty Professor and all of Ed Wood’s movies (with a SPLASH of This is Spinal Tap), the film pays homage to all things sci-fi, horror and comedy. The film features the acting debut of Jack White (pre-White Stripes and Cold Mountain) of The White Stripes, The Raconteurs and The Dead Weather.

We believe in Cinesouq and its vast possibilities to help content owners benefit tremendously and we want to make sure that you are well aware of all our free distribution tools available to you.

Please follow http://www.cinesouq.com/filmmaker to learn more how you can utilize our tools to help you license your content worldwide.

Thank you again for your time, we are here for you and are committed to help you succeed in your distribution efforts and profit from your work.

Sincerely,
The Cinesouq Team

Benefit from a free online film market to help you with all your film distribution needs.

Connect with distributors, sales agents, producer’s reps and other filmmakers.

Cinesouq’s Mission

Cinesouq to Democratize Film Distribution

To help independent filmmakers overcome the challenges related to the marketing and distribution of their filmed properties, to succeed and profit from their works utilizing the power of the internet and its vast possibilities, and to fortify our commitment to keeping the spirit of the independent filmmaking alive throughout the globe.

The Cinesouq Team

Hollywood Wizard is the exclusive sales agent for the feature film C.L.A.S.S. starring Tom Sizemore.

For more information on this title please contact Hollywood Wizard tel (818) 734-7261

(c) 2010 Keyart design and copyright Hollywood Wizard & Cinesouq.

We are reaching out to you to get your feedback and help so we may serve the independent film community better.

We are giving you a free access to our full database and resources, to utilize for your own needs. The Cinesouq database allows you to connect with U.S. and international distributors to let them know about your projects, and our list of resources and tools will help you with your distribution needs.

All we want in return is your feedback.

Resources and Tools Cinesouq provides you with:

• Domestic Video Distributors List – Contact list of North American Video distributors.
• Domestic Theatrical Distributors List – Contact list of North American Theatrical distributors.
• International Video Distributors List – Contact list of International Video distributors.
• International Theatrical Distributors List – Contact list of International Theatrical distributors
• Sales Agents List – Contact list of sales agents.
• Producers’ Reps List – Contact list of producer’s reps.
• Attorneys List – Contact list of entertainment attorneys.

Delivery Materials:

• Delivery Checklist – Checklist of all deliverables for distribution.
• Delivery Schedule – DVD/TV – Standard schedule for DVD/TV delivery of masters and elements.
• Delivery Schedule – Theatrical – Standard schedule for Theatrical delivery of masters and elements.

Additional Resources

• Projected Sales Percentages Per Territory
• Distribution Agreement Template
• Notice of Delivery Template
• Minimum Guarantee Invoice Template
• Delivery Materials Invoice Template

Our Mission: Cinesouq to Democratize Film Distribution

To help independent filmmakers overcome the challenges related to the marketing and distribution of their filmed properties, to succeed and profit from their works utilizing the power of the internet and its vast possibilities, and to fortify our commitment to keeping the spirit of the independent filmmaking alive throughout the globe.

All you need to do is just register with your e-mail address on www.cinesouq.com within the month of April 2011, and we will activate our resources so you may start utilizing them.  You have 30 days from the time you register.

After you have a chance to use the site, we please ask that you take a moment and send us your feedback by e-mail: info@cinesouq.com

We thank you for your time and help.

The Cinesouq team.

Cinesouq

Hollywood Wizard is the first-and-only, motion picture sales company in the world, to launch its own Online Film Market, Cinesouq enables domestic and international distributors to screen and the license the rights of motion pictures instantly, from the comfort of their offices or homes.

In today’s economy, it’s more challenging than ever. Money is tight, and competition is fierce. As an innovator in the distribution field, Hollywood Wizard launched Cinesouq to overcome these dire market conditions while generating more financial returns to our clients — distributors and filmmakers alike.

Our service is simple and clear, to bring our distributor clients the best films made by the most talented independent filmmakers from around the world, ahead of your competitors to help you succeed in releasing these films while saving time and money.

We are continually designing and implementing marketing activities and strategies to attract films with commercial appeal that are suitable for distribution in all territories.

Cinesouq was designed keeping in mind how valuable your time is. We made screening and licensing films effortless. We will be glad to register you, and send you your access info immediately. Then, all you have to do is login and start benefiting from all that we have in store for you.

Just e-mail us, or call us, and we promise you will be glad you did.

E-mail: info@cinesouq.com
Tel: (818) 734-7261

The Cinesouq Team

At Cinesouq, you have the advantage of consulting with a highly experienced team with over 20 years of direct experience in film production, pre-sales, domestic and international tax incentives, gap financing and distribution.

Our knowledge of the domestic and international marketplace and dedicated approach provides you with customized packages, quick decision-making and sophisticated solutions. In addition, our team members maintain relationships with distributors and broadcaster worldwide to give the additional advantage of making valuable connections with industry leaders in the field.

A breadth and depth of solutions to cover your every need:

Production Services include:

• Full analysis and evaluation of treatments, and scripts
• A comprehensive analysis of the production budget and the shooting schedule
• Identify name talent that is best suited to your project to insure its success in domestic and international markets

Pre-sales services include:

• Long term strategic sales planning
• Create and launch marketing campaign
• Provide accurate and bank approved sales projections
• Identify and engage distributors who will benefit from licensing the rights to your project for their respective territory
• Licensing the rights to bankable distributors

Domestic and international tax incentive services include:

• help oversee the entire incentive process from application to collection
• Help you find the best state or country where you get the most rebates and tax credits for your filming needs
• Suggest qualified production services companies in the U.S.
• Arrange for co-producing partners in other countries when utilizing international tax incentives

Financing options include:

• Structure a financing plan tailored specifically to your project needs
• Facilitate Film & TV production loans (including discounting pre-sales, cash flow of domestic and international tax incentives, and gap financing)
• Raise equity through domestic and international co-producing partners/distributors

Distribution services options include:

• Full analysis and evaluation of finished feature films.
• Accurate revenue projections based on current market conditions.
• Long term strategic sales planning and marketing
• Negotiation, licensing, collections and delivery of your film worldwide
• Follow up on all distribution and marketing issues
• Capability of doing direct sales for theatrical, ancillary markets, video, pay-per-view, pay TV, basic cable, and free television in the U.S.

Put our years of experience to work for you, so we may help you minimize your risk and maximize your returns.

Please send us your preliminary project info by e-mail:

• Synopsis and treatment of your project (no script is needed at this stage)
• Production budget range
• Producers and key crew bios or resumes
• A list of attached talent if any
• Location where you anticipate filming
• Preliminary funds if any
• Your contact info

Please allow at least 48 hours to review your project info, and we will contact you with our basic requirements to proceed from there.

At Cinesouq, our goal is to provide you with the means to succeed!

E-mail: info@cinesouq.com
Tel: (818) 734-7261

Within months we had a deal in the works with a great distributor who loved our film and really wanted to get behind it.  They licensed Shooting April for all of North America and Japan, and we now have a DVD and broadcast VOD launch coming in early 2011.

Cinesouq was a valuable partner throughout the process. They did everything they said would do, and a lot more on top of that.  I’d go with them again in a second.

Tod Lancaster, producer

DOUBLE DUTY (2010)

cast : MIMI LESSEOS, SUSAN DUERDEN, ALFONSO FREEMAN, CONNIE STEVENS, KAREN BLACK, TOM SIZEMORE (Saving Private Ryan / Black Hawk Down / Heat)
director : STEVEN ECKELBERRY
producer : MIMI LESSEOS
writer : MIMI LESSEOS AND WAYNE BAUER
editor : STEVE NIELSON
director of photography : BODO HOLST

Action, Romantic Comedy

After devoting her life to the Marine Corp. as a top notch warrior, Major M.J Logos (Mimi Lesseos) feels that something is missing. She wants to know what it’s like to be a regular woman. She leaves the Marine corp. and tries to start life again as a civilian. But she keeps being pulled back into combat in one way or another, having to fight her way to save her friend Sophia (Susan Duerden) from being ripped off in an evil plot by Sophia’s assistant ( Alfonso Freeman). During her adventures, Mimi meets Craig (Tom Sizemore), a handsome man who is maybe just a little too in touch with his feminine side. Heck let’s face it, Mimi thinks he’s gay. And Craig thinks M.J is just a little too much like a man. Between the two of them. M.J must learn to be more of a woman, and Craig must be more of a man.

This Action, Romantic Comedy  -  Both Sizemore and Lesseos are a pair of  hilarious dynamic duo that keeps us laughing as well as touches our hearts.